What began as relaxed banter on the Joe & Jada Podcast took a sharper turn when French Montana steered the conversation toward unresolved business from his past. Appearing alongside Max B to promote Coke Wave 3.5, French used the moment to revisit a lingering dispute tied to one of his biggest records. The pivot was calm but deliberate, shifting the mood from jokes to something more revealing. Fat Joe and Jadakiss, both longtime fixtures of New York rap, let the exchange breathe. The tension surfaced when French brought up the publishing breakdown behind “All The Way Up,” the 2016 anthem that reshaped both artists’ commercial profiles. He suggested his share of the publishing royalties did not reflect the song’s success or his contribution. Joe seemed genuinely surprised, pausing as both men searched their memories for how the deal was structured at the time. Years later, the details proved slippery. French maintained that the numbers never sat right with him, while Joe insisted the agreement had been fair within the norms of the industry. The disagreement never boiled over, but it revealed how financial arrangements can linger long after the applause fades. Neither artist reached for contracts or paperwork; instead, the debate rested on recollection and perspective. It was a familiar dynamic for artists who came up fast and learned business on the fly. Laughs, Ledgers, and Lingering Tension Beneath the Punchlines The moment stayed light, thanks in part to humor. “I had zero publishing on that song,” French said, half-joking as he made his point. When Joe countered that French received a 10 percent cut, French quickly responded, “No, it was 5.” The exchange drew laughter, even as it hinted at real frustration beneath the surface. Jadakiss and Max B soon joined in, turning the conversation into an impromptu breakdown of music publishing math. Clips from the episode spread quickly online, sparking debate among fans over who was right—and plenty of jokes about the music industry’s notorious bookkeeping. What started as a routine promo stop ended as a public reminder that hit records can come with unfinished conversations.

The Game recently had a sit-down interview with VIBE Magazine. While there, the LA rapper revealed that at the height of his beef with 50 Cent, he expected it to end in death. “I was prepared to die in that beef,” he tells interviewer Datwon Thomas. The rapper continues: “I was almost 100 percent sure that me and 50 was going to die in that. I for sure thought it. I just knew it…” In a similar vein to what happened between Biggie and Tupac, Game notes at the time, he was the biggest rapper on the West Coast, whereas Fif was the biggest rapper on the East Coast. “Were both young, in our 20s, and I just thought that we wouldn’t make it out of that.” Prior to his beef popping off with Fif, Game already had a continuous relationship with the rest of the G-Unit members. “I thought it would be Me or him, ” The Game Says Things came to a boiling point as he prepared for the arrival of his debut album, The Documentary. Things went left between the pair amid 50 Cent’s early 00s beef with Fat Joe. Fif appeared to be upset that The Game didn’t have his back. Not long after, he was pushed out of the group. “The thing about it is, I didn’t give a fuck, because I hated that n*gga so much for trying to play me,” Game continued. “And again, Biggie and Pac, this sh*t is real. It’s real. I know 50. He ain’t playing, he’s for real. SI was ready to literally go all the way out. But I went to this man’s house, ripped a basketball rim off, peed in his grass, went to Queens [and] put a G-Unot banner on the side of a project building… I was serious, man.” There had also been a shooting incident at the HOT 97 studio, which resulted in someone from Game’s crew getting shot. The pair would eventually hold a press conference to settle their differences. However, the beef would continue until 2016, when they finally put their issues aside. “And it’s like, we’re here now, and we can talk about it. Game and 50 made it out, but n*ggas died. Like, people died in that beef. It was that serious. And I thought it would be me or him.”

French Montana just proved that shooting your shot can really take you to royalty. NEW YORK, NEW YORK – NOVEMBER 22: French Montana and Sheikha Mahra are seen on November 22, 2025 in New York City. (Photo by Johnny Nunez/WireImage) Photo by Johnny Nunez/WireImage How It Went Down During a recent appearance on the Joe & Jada Podcast alongside Max B, the Bronx rapper spilled the tea on how he landed his now-fiancée, Dubai Princess Sheikha Mahra. According to French, it went down in the DMs. While visiting Dubai, he noticed Mahra had gone viral after publicly announcing her divorce from Emirati businessman and royal Sheikh Mana in a bold Instagram post. In it, she accused her ex of infidelity and stated that their marriage over. “Dear Husband, as you are occupied with other companions, I hereby declare our divorce,” she wrote in a viral post. “I divorce you, I divorce you, and I Divorce You. Take Care. Your ex-wife.” French said the post immediately caught his attention. “I remember I had seen she put up that post where she divorced somebody,” Montana told Jadakiss and Fat Joe. “And I’m like, ‘I like her.’ ‘Cause it takes a lot of guts to throw that up. So when she threw that up, I’m like, ‘I like her.’” View this post on Instagram From there, French had a mutual connection reach out, and they gave the green light with a simple, “Do what you gotta do.” And the rest is history. Shortly after her divorce announcement last year, Mahra was spotted giving French a personal tour of Dubai, sparking early rumors that turned out to be real. The couple later announced their engagement. The couple has kept their relationship very low-key outside of Mahra celebrating French’s 41st birthday at Aya Nightclub in NYC. Max B and Central Cee joined the couple as well. Montana was previously married to entrepreneur, NaDeen Kharbouch from 2007 to 2014. They share one 16-year-old son, Kruz Kharbouch.

New York rapper Kay Flock was sentenced to 30 years in prison in mid-December following multiple convictions linked to four shootings that occurred between 2020 and 2021. At 22 years old, Flock now faces a future dominated by incarceration. This has prompted his legal team to file an appeal. The case has drawn attention not only for the severity of the sentence. Additionally, people are discussing its implications in prosecuting gang-related activity in the city. The sentencing also includes five years of supervised release after Flock completes his prison term. Michael T. Ashley, Flock’s attorney, said the appeal was expected. Court filings indicate that Ashley is seeking either a reduction to the statutory minimum of 10 years. Alternatively, he suggests an alternative “structured punishment plan” spanning several years. Under the alternative plan, Flock would be required to relocate to Los Angeles, earn his GED, maintain sobriety, and publicly renounce violence on social media. While outlined in legal motions, the likelihood of such leniency appears low. This is due to the prosecution’s firm stance throughout the case. Assistant U.S. Attorney Michael R. Herman, representing the government, had initially advocated for a 50-year sentence. He cited the seriousness of the crimes and their impact on victims and the community. Furthermore, the prosecution argued that a significant sentence was necessary to uphold public safety. They said it would deter further violence and address the broader consequences of gang-related actions. COURTHOUSE RAP: After Drill Rapper Kay Flock Sentenced to 25 Years in Prison He Appeals Pro Se – Book: https://t.co/db1k47Qrgz Inner City Press story: https://t.co/4cOWKH02Ti pic.twitter.com/eVbxiM8muP — Inner City Press (@innercitypress) January 14, 2026 Examining the Convictions Flock’s convictions include racketeering conspiracy and use of a firearm causing death. He is also convicted of attempted murder and assault with a deadly weapon connected to racketeering. Authorities contend that these acts were part of an orchestrated effort to expand the influence of the Sev Side/DOA gang. Notably, Flock is identified as a prominent member of this gang. During sentencing, U.S. District Judge Lewis Liman noted that Flock was not the shooter in the incidents.

Erica Mena shared a vulnerable update amid her legal battle with her ex-husband, Safaree Samuels. The Love and Hip Hop couple, who tied the knot in October 2019, have had a tumultuous public relationship following the birth of their two children in 2020 and 2021, respectively. Safaree mentioned a shift in Erica after welcoming their kids even tweeting that getting married was a mistake. Erica filed for divorce on May 24, 2021, referring to their marriage as “irretrievably broken” with “no hope of reconciliation” in court documents obtained, per PageSix. Since the filing, Erica alleges that she has experienced financial strain from carrying the full weight of parenting their two children. However, in a recent post, the reality star shared an update that suggests that financial burden has been lifted. View this post on Instagram “Asking for half is not asking for too much.” She began, “For 2½ years and counting – I’ve endured malicious filings, unnecessary legal attacks and intentional financial pressure, all while being the only consistent present parent for my two youngest children. The only one handling medical care, education, childcare and the everyday costs of raising two growing children, as I have since the day they were born.” “Yesterday wasn’t about revenge,” Erica continued. “It was about receipts, facts and accountability.” In the caption, she suggests that Safaree’s alleged lack of financial help has been an intentional attack. “After years of intentional hardship and financial burden placed on me, I finally stood up for the expenses I’ve carried alone medical, childcare, education. While parenting full-time and filling in where effort, presence and responsibility are by choice repeatedly consistently absent,” she wrote. Adding, “Asking for half is not asking for too much.” In the lengthy caption, Erica also praised the attorney, Lisa Weber, writing that “she stood firm on principle and led this case with integrity, precision and moral clarity.” She concluded the statement writing, “I’ve been choosing peace — but I will NEVER choose silence when it comes to my children.” Fans dropped in the comments of the Instagram post supporting the model on her victory and praising her for advocating for herself and children. TMZ reports that the couple’s divorce was finalized September 12, 2022, with Safaree being ordered to pay $4,305 per month in child support. View this post on Instagram

Jay-Z has once more emerged on the winning side of a legal fight that has followed him for years. A court has dismissed claims brought by Rymir Satterthwaite and his legal guardian, Lillie Coley, ending the latest attempt to revive allegations that the hip-hop mogul is Satterthwaite’s biological father. The case, which has circulated through multiple jurisdictions, has drawn attention not only for its claims but also for its persistence. This ruling continues a clear pattern of judicial outcomes favoring Jay-Z. Satterthwaite has repeatedly sought court intervention to compel DNA testing, framing his pursuit as a search for closure rather than money. In a 2024 statement, he said, “I truly wish to bring this issue to a close. My priority is not financial gain; I am simply seeking the truth.” Despite that sentiment, he abruptly withdrew his lawsuit in July, offering little explanation for the move. Even so, he made clear his resolve remained unchanged, adding, “Although I have retracted my legal action, the fight is far from over.” The dispute widened when Lillie Coley, who has served as Satterthwaite’s caretaker and godmother, filed her own lawsuit against Jay-Z. She accused him of avoiding DNA testing and parental responsibility while using his influence to shield himself from accountability. Coley also alleged misconduct by the New Jersey Attorney General, claiming misrepresentations harmed her federal case and contributed to severe financial strain. The court found no legal basis to advance those claims. Coley’s Suit Dismissed, $119K in Fees Ordered In a decisive ruling, the judge dismissed Coley’s lawsuit with prejudice, closing the door on any amended filing. The decision stated, “The Court has carefully examined the Motion and determined it is suitable for adjudication without oral argument. The Motion is GRANTED, and the Complaint is DISMISSED without leave to amend.” The language left little ambiguity about the court’s position. The fallout included financial consequences. According to AllHipHop, Coley has been ordered to pay roughly $119,235.45 in legal fees under California’s anti-SLAPP statute, which is designed to protect defendants from baseless or retaliatory lawsuits. Jay-Z’s attorneys have long characterized the litigation as a “prolonged harassment campaign,” a description echoed in earlier filings. One dismissal motion from July 2025 stated, “The fabricated allegations have been systematically addressed and rejected in multiple jurisdictions. The plaintiff’s persistent harassment of the defendant and blatant disregard for court orders have already subjected him to a contempt order.” The case illustrates the complications that arise when deeply personal claims intersect with celebrity, media attention, and the legal system. While the allegations have resurfaced in various forms over the years, the courts have remained consistent in their rulings. With this latest dismissal, the legal avenues available to the plaintiffs appear increasingly limited.

Before 50 Cent became a Hip-Hop legend, he made a decision that could’ve easily ended his career, but instead, it launched him into rap immortality. HOLLYWOOD, CALIFORNIA – JANUARY 30: Curtis “50 Cent” Jackson (L) and Eminem (R) attend a ceremony honoring Curtis “50 Cent” Jackson with a star on the Hollywood Walk of Fame on January 30, 2020 in Hollywood, California. (Photo by Albert L. Ortega/Getty Images) On Wednesday (Jan. 14), 50 took to X to share a resurfaced video, where he revealed he once turned down a massive $1.3 million deal with Universal Music Group (UMG). At the time, the G-Unit general was deeply entangled in a public beef with Murder Inc., led by its founder the late Irv Gotti and its star, Ja Rule. Murder Inc. was also apart of the Def Jam/UMG umbrella. According to the clip, Irv was intentionally working behind the scenes to block 50 Cent’s come up. Fig did not let his destiny sit in his enemy’s hands. Despite being broke, he walked away from $1.3 million. “Yayo did not understand why I wouldn’t do a deal with universal they offered me 1.3 mill and we was broke. I said No yall can keep that. Now you see why I love Eminem so much, if he ran your kid over with a car. I’d say No he didn’t! LOL.” Yayo did not understand why I wouldn’t do a deal with universal they offered me 1.3 mill and we was broke.I said No yall can keep that. Now you see why I love Eminem so much, if he ran your kid over with a car I’d say No he didn’t! LOL • https://t.co/WtNREs32V0 pic.twitter.com/6o7GhwJbT7 — 50cent (@50cent) January 14, 2026 With a bold decision to turn down the money, he would eventually run into Eminem. Slim Shady would introduce him to Dr. Dre and the rest is history. This trio birth one of Hip-Hop’s greatest runs, as well as the best selling album of 2003 in Get Rich or Die Tryin’. Throughout the years, Eminem and 50 Cent have collaborated on a number of tracks, including “Patiently Waiting,” “Psycho,” “Crack a Bottle” and more.

Chris Brown is urging fans to remain true to themselves as he navigates the fallout from a recent legal setback. On January 13, a $500 million defamation lawsuit he filed against Warner Bros. Discovery and Ample Entertainment was dismissed. The suit, filed last year, claimed that the companies behind the 2024 Investigation Discovery docuseries Chris Brown: A History of Violence had disseminated falsehoods for profit. The series revisits longstanding allegations of domestic violence against the two-time Grammy winner, including the widely publicized 2009 assault of Rihanna. It also includes a 2020 claim in which a woman alleges that Brown sexually assaulted her aboard a yacht owned by Sean “Diddy” Combs—a claim Brown has consistently denied. Judge Colin Leis dismissed the lawsuit, ruling that the depiction of the alleged 2020 incident represented a “fair and true” account of the accuser’s statements and related judicial records. The ruling effectively closes the door on Brown’s effort to secure damages, but the singer has sought to frame the decision as a moment to encourage self-reflection and perseverance. Brown Urges Fans to Stay True Amid Legal Battles In a series of Instagram posts following the dismissal, Brown urged his followers to remain authentic and resilient. “Be true to yourself,” he wrote, encouraging fans to “write your own story” and inspire others rather than succumbing to misinformation. He continued, “Show them your glow… Show them your heart. Show no weakness. Live life and take care of life. Never stop and never let them stop you on your journey to greatness.” Despite controversies that have followed him throughout his career, Brown’s music continues to resonate commercially. Billboard reports that his 2025 Breezy Bowl XX tour has grossed over $295 million, underscoring his enduring draw as a performer. Even amid legal disputes, Brown’s emphasis on self-truth and perseverance provides fans with a lens for navigating challenges while remaining authentic—a message that seems to reflect both his personal journey and public persona.

Will Smith was all smiles when asked about the recent allegations against him. PALM SPRINGS, CA – JANUARY 03: Will Smith attends Variety’s Creative Impact Awards and 10 Directors To Watch Brunch at the Parker Palm Springs on January 3, 2016 in Palm Springs, California. (Photo by Jerod Harris/Getty Images,) The Oscar-winning superstar was recently spotted in London. TMZ reports that he is working on his upcoming National Geographic series, Pole to Pole With Will Smith. A TMZ video shows photographers’ attempt to ask him about the newly filed lawsuit accusing him of wrongful termination, retaliation and sexual harassment. Will laughed at the question and casually stepped into his waiting vehicle. The Lawsuit The lawsuit was brought by Brian King Joseph. Joseph was a violinist who says he was hired to join Will’s Based on a True Story tour. According to court documents, he claims his experience took a disturbing turn during a tour stop in Las Vegas. Joseph says he returned to his hotel room one night to find evidence that someone had entered without permission. He also discovered a handwritten note that read,”Brian, I’ll be back no later, 5:30, just us [drawn heart],” and was signed “Stone F.” According to Joseph, the message left him fearful that he could be targeted for unwanted sexual advances. He further claims that after reporting the incident to hotel security, he was abruptly fired from the tour. Smith attorney, Allen B. Grodsky, forcefully denies the allegations. “Mr. Joseph’s allegations concerning my client are false, baseless, and reckless,” he told PEOPLE. “They are categorically denied, and we will use all legal means available to address these claims and to ensure that the truth is brought to light.”

Rich The Kid recently stirred conversation with a pointed comment on his Instagram Story regarding a collaboration with Kanye West. On January 14, he wrote, “I gave Ye his last #1 in 15 years & maybe his last,” referencing their joint project. As a result, this fueled discussions across social media and music circles. No Jumper noted that the remark has provoked a mix of admiration and skepticism among fans and critics alike. Responses online were polarized. Some users appeared to support Rich The Kid’s claim, while others questioned his perspective. One commenter wrote, “Ye and Carti did charity by putting this dude on the song and he still dropped the most forgettable verse.” Another added, “N***a Ye gave you your first #1 ever. What kind of drugs you on?” Posts expressing amusement, including many “LMAOOO” reactions, quickly multiplied across platforms. The reasoning behind Rich The Kid’s provocative statement remains unclear, and Kanye West has not publicly responded. By suggesting that Carnival might mark the peak of West’s chart accomplishments, Rich The Kid also hinted at future projects. Furthermore, he recently shared a pre-save link for his upcoming album, Bully, on his official YouTube channel. This signaled continued momentum ahead of its release. Rich The Kid says he gave Ye his first #1 in 15 years and “maybe his last” with “Carnival” pic.twitter.com/ClI5Ra9LHL — No Jumper (@nojumper) January 14, 2026 Kanye West’s Next Moves Leading up to Bully, Kanye West has expanded his offerings to include vinyl, CDs, cassettes, and box sets. These feature grill-inspired designs drawn from the album artwork. The tracklist includes titles such as “Preacher Man,” “Beauty and the Beast,” “Last Breath,” and “White Lines.” Production rumors related to artificial intelligence have been dismissed. Pete Jideonwo tweeted, “There is no AI on Bully,” a statement echoed by Milo Yiannopoulos, West’s former Chief of Staff. Interest in the album is already substantial. Approximately 500,000 users have pre-saved Bully on Spotify, ranking it as the platform’s fourth-most pre-saved release behind Joji, Gorillaz, and Charli XCX’s Wuthering Heights soundtrack. With its official launch slated for January 30, 2026, anticipation surrounding Kanye West’s latest project continues to grow. Consequently, fans and industry observers remain closely engaged.