A Los Angeles judge has ordered Kanye West to appear in person for a deposition in a lawsuit filed by a former Donda Academy employee. The court set a strict 30-day deadline for West to answer questions under oath, following repeated delays in the process. The case, brought by Trevor Phillips in April 2024, alleges serious misconduct at the school. Phillips claims he was employed by West and witnessed him frequently sharing antisemitic views with staff. He also says West once talked about shaving students’ heads and had plans to construct a jail on school grounds. Phillips further asserts that West regularly berated and bullied Black employees, including himself. The lawsuit lists harassment, discrimination, and the creation of a hostile work environment among its claims, and Phillips is seeking monetary compensation for the alleged mistreatment. According to TMZ, court documents state that Phillips has made multiple attempts to get West to sit for a deposition, but each effort has been unsuccessful. The judge’s order is an attempt to force West to comply and provide testimony directly to Phillips’ legal team. West’s attorney, Eduardo Martorell, was contacted for comment but declined to respond. The upcoming deposition could mark a critical point in the lawsuit, giving Phillips the chance to question West under oath for the first time since filing the case.

A clash between two prominent rap figures has erupted across social media, pulling fans into a heated debate and adding fresh tension to hip-hop’s ever-churning landscape. Sukihana publicly challenged Tekashi 6ix9ine over disparaging remarks he directed at Young Thug, a dispute that escalated when 6ix9ine invoked the name of his late friend, Ariela La Langosta, drawing the controversy into even more personal terrain. La Langosta was found dead in her car this past August, her death still under investigation, according to People. At the time, 6ix9ine shared his grief online, writing, “NY won’t ever be the same. I loved you.” His decision to bring her into a public feud has since sparked backlash from those who say her memory should remain untouched by online sparring. On Instagram, Sukihana urged the rapper to redirect his focus. “Six9ine stop talking bout thug and talk bout home girl that just died,” she wrote. The remark drew an immediate and pointed response from 6ix9ine: “The girl was one of my best friends who I met while being a girl in my music videos. She was killed because HER BOYFRIEND owed money. What does that have to do with ya man tellin @sukihanagoat I know ya PH balance off stank treesh.” 6ix9ine taunts as Young Thug faces scrutiny The exchange ricocheted through hip-hop media after DJ Akademiks shared the posts with his audience. Reactions were mixed: one commenter praised 6ix9ine’s sharp retorts, while another noted, “His plan is starting to work. Attention by any means necessary.” Amid the uproar, 6ix9ine has leaned into the spectacle by teasing a new diss track aimed squarely at Young Thug. Previewing it on Instagram, he wrote, “Seen a snake turn spider turn rat don’t tell the world just please let me out man watchaht.” The track, which borrows from the nursery rhyme “The Itsy Bitsy Spider,” is in keeping with his penchant for provocation. For Young Thug, the timing is fraught. He is already under scrutiny after a resurfaced interrogation video fueled speculation about whether he cooperated with authorities—a claim he has denied, backed by Peewee Roscoe, the man referenced in the clip. Separate leaked phone calls from prison have only added to the chatter, leaving Thug navigating both legal challenges and the relentless gaze of the public. View this post on Instagram A post shared by DJ Akademiks (@akademiks)

A complaint filed this week against Philadelphia judge Scott DiClaudio has drawn the attention of Pennsylvania’s Judicial Conduct Board, which alleges he acted improperly in connection with a sensitive criminal case. At the center of the controversy is Dwayne Jones, a longtime friend of Meek Mill, who faces charges in a fatal shooting. Allegations Against Judge DiClaudio The complaint stems from an encounter in June, when Judge Zachary Shaffer and his law clerk visited a restaurant owned by DiClaudio’s wife. After their purchase, DiClaudio is said to have slipped Shaffer a note bearing Jones’ name and courtroom number. He allegedly remarked, “I’ve heard you might do the right thing anyway,” before destroying the note. That brief exchange has raised sharp ethical concerns, particularly since Jones was awaiting sentencing at the time. Shaffer reported the incident to court administrators, leading to the misconduct complaint. The Court of Judicial Discipline is expected to weigh the matter in the coming weeks. Meek Mill’s History With the Courts Although not tied to Jones’ case, Meek Mill’s own experience with Philadelphia’s justice system runs deep. At 19, he was arrested in North Philadelphia on gun and drug charges. A decade later, in 2019, he reached a plea deal that resolved the case with a single firearms conviction, clearing the rest of the charges. Following his release, Mill expressed gratitude for the support he had received and recommitted himself to criminal justice reform. In recent months, Mill has turned to creative pursuits, announcing on social media plans to raise $5 million for a new album, a book, and a short film. The move reflects both artistic ambition and a determination to shape his narrative beyond the courtroom. Conclusion As the DiClaudio case unfolds, it places renewed focus on the boundaries of judicial conduct and the weight of personal ties in the legal system. In contrast, Meek Mill’s trajectory underscores resilience and the possibility of reinvention after legal hardship. Together, they offer a window into the uneasy overlap of justice, influence, and redemption.

In a recent Instagram livestream that quickly ricocheted across social media, Kodak Black appeared to sip lean while driving on I-95. The reckless moment has deepened concerns about his well-being, unsettling fans who have long followed both his talent and turmoil. The clip, first shared by Live Bitez, drew an immediate outpouring online. One user wrote, “What type of high they be trying to chase? Heavenly Father please protect and watch over our ppl [praying emoji].” Another commented, “A rich junkie literally smh. I feel so bad for bro, but we don’t even know what he’s going through.” A third reflected on what they saw as a cry for help: “Ppl don’t see it. He been crying out for help for years. He’s very talented and having a gift like his… Dat Lean ain’t it, praying for you yak.” More than 300 comments followed, nearly all pleading for the rapper to seek help. A Pattern of Troubling Moments The livestream adds to a series of recent incidents that have left fans uneasy. Last October, Kodak appeared on Drink Champs in a disoriented state that prompted sharp criticism, with guest Joe Budden remarking he “looked like pure s**t.” Months later, during a freestyle on On The Radar, Kodak alluded to drug struggles, even hinting at a possible “meth habit.” In response to backlash over the Drink Champs appearance, host NORE defended airing the full episode. While many argued the interview should have been cut short, he said Kodak appeared much as he always does—a remark that underscored the ongoing nature of the artist’s struggles. For Kodak Black, the tension between his artistry and his addictions has never been more stark. His music continues to draw attention, yet the cloud of substance abuse threatens to overshadow his career. Fans and peers alike hope he finds the strength—and support—to confront his struggles and step toward recovery. View this post on Instagram A post shared by Watch Live Bitez (@livebitez)

Teyana Taylor graces the latest cover of Marie Claire, opening up about her career, creativity, and the advice that helped shape her path in music and performance. In the interview, she reflects on her latest album, making it clear it’s about far more than personal relationships. “It’s so much bigger than, you know, people automatically just assuming, ‘Oh my god, this is just [about a] relationship.’ No, baby. I’ve been in relationships with music … friendships … business, all of the things, all across the board,” the 34-year-old tells Marie Claire. “So it’s escaping the things that just do not serve me—even if that includes myself, because we sometimes fall into these dark places. You got to hold yourself accountable. Say, ‘Girl, get up. Get out of this space. Get out of this room. Get out of this box.’” View this post on Instagram A post shared by Marie Claire (@marieclairemag) Teyana’s perspective on ambition was shaped early by Beyoncé. At just 15, she choreographed Beyoncé’s “Ring the Alarm” video, and the superstar became a long-term mentor. Around the release of her debut album VII in 2014, Teyana recalls a pivotal conversation with Beyoncé: “You’re never gonna fully get what you want unless you go and do it yourself.” That guidance fueled Teyana’s ambitious approach. “I was kind of one of the only up-and-coming artists that was like: ‘I want a band, I want six dancers. I want, I want, I want.’ I wanted the world. I wanted everything with a bubblegum and shoestring budget. And I realized that I would walk away with less money because I was paying more people,” she explains. Beyoncé’s mentorship reassured her: “Of course it hurts in the moment, because it’s like, ‘Oh my god, I could be making so much more money.’ But then [I’d talk] to Bey, and she just gives you that reassurance of like, ‘Oh no, that’s normal. That just means you’re a true creative. Spend the money. Do what you gotta do to get what you want.’” That early advice not only shaped Teyana’s career decisions but also helped establish her as a bold, uncompromising creative in music and performance.

Saweetie stopped by HOT 97 to talk to Nessa about her new EP Hella Pressure, which dropped in August. She opened up about why she chose that title, how the project mixes rapping and singing, and whether she feels the industry has allowed her to grow at her own pace. She also reflected on going nearly a decade without releasing her debut album and what being in “album mode” really means. Saweetie didn’t shy away from addressing critics either, including the viral “1% battery” comment, and spoke about how she handles trolls online and who she turns to when it gets overwhelming. She also talked about her Afrobeat-inspired track “I Need Some Inspo” and shared how she finds motivation in life and music. Beyond music, Saweetie talks about how she’d want a biopic on her to look, her plans to launch a beauty brand and what’s next. Nessa asked about sacrifices she’s made for her career, how she navigates fame compared to when “ICY GRL” blew up, and the advice she’d give her younger self. Saweetie also reflected on the legacy she wants to leave behind and how she wants to be remembered. Stream Hella Pressure now!

The legal saga surrounding YNW Melly continues to shift as new developments unfold in the case of his co-defendant, Cortlen “YNW Bortlen” Henry. Bortlen, implicated in the alleged 2018 murders of Christopher “YNW Juvy” Thomas Jr. and Anthony “YNW Sakchaser” Williams, struck a plea deal just a day before his jury selection was set to begin. Bortlen, originally facing two counts of first-degree murder with a firearm and two counts of accessory after the fact, was also navigating a separate 2023 witness-tampering case. Under the agreement, he will serve 10 years in prison, followed by six years of probation. He pleaded no contest to the accessory after the fact charges and the tampering counts, leading to the dismissal of the more serious murder allegations. The deal also obliges him to assist prosecutors, providing testimony that could prove pivotal in ongoing investigations. Bortlen Plea Shakes Up Melly Case John M. Phillips, the attorney representing YNW Sakchaser’s family, weighed in on the implications. “As predicted, YNW Bortlen took the plea deal. He also agreed to a proffer—which means he’s talking,” Phillips noted on social media, signaling potential ripple effects for related civil proceedings. Meanwhile, Melly remains behind bars as he prepares for a retrial after a 2023 jury deadlock ended in a mistrial. The second trial, scheduled for January 2027, will revisit two counts of first-degree murder. Known for his 2018 track “Murder on My Mind,” Melly has requested new legal counsel, bringing on seasoned attorneys Drew Findling and Carey Haughwout amid concerns over his current representation. Adding another layer to the case, Melly has alleged inhumane treatment while in Broward County Jail, fueling public scrutiny and debate. Together, these developments highlight the intricate and often unpredictable nature of high-profile criminal proceedings, where plea deals, retrials, and new allegations continuously reshape both legal outcomes and public perception.

Fat Joe recently opened up about how conflicts with other artists impacted his career and cost him major business deals. On a recent episode of Complex’s Sneaker Shopping, the Bronx rapper revealed that both Air Jordan and Reebok deals fell apart in the mid-2000s because of his well-known feuds with 50 Cent and Jay-Z. He explained that a confrontation with 50 Cent at the 2005 MTV Video Music Awards played a role in Air Jordan passing on a collaboration. Fat Joe says Michael Jordan personally called him to explain the situation. “Yo, Big Joe, you know, I’m not with controversy. Maybe we look at this in the future,” Jordan reportedly told him. Reebok, which had offered a multi-million-dollar sneaker deal, also withdrew after an executive realized Fat Joe was not on good terms with Jay-Z. “Reebok had approached me and was like, ‘Yo, we want to do a sneaker with you for millions.’ I caught the squeeze play cause Hov was over there and 50 Cent,” he said. “They shut it down. They was just like, ‘Yo, we won’t do business with you if you give this guy a sneaker.’ That’s part of the karma. It’s part of the ins and outs. I’ve done it to other guys. It came back to me.” Outside of business setbacks, Fat Joe is also facing legal challenges. In June, his former hype-man Terrance Dixon filed a $20 million lawsuit, claiming he witnessed the rapper engage in illegal behavior, including sleeping with minors and using intimidation tactics. Fat Joe has denied the allegations and addressed them on social media. “I’ve never let anyone on the streets extort me, so how would I ever let a crooked attorney and a coward ex-hype man extort me?? I’m from the Bronx!” These experiences highlight the costs of high-profile rivalries and legal battles in the music industry. Fat Joe’s story shows that even for seasoned artists, the choices made in conflicts and personal relationships can have lasting effects on both career opportunities and personal life.

Offset has drawn widespread attention with the release of his third studio album, KIARI. The project arrives with high expectations and a standout roster of collaborators, from John Legend and NBA YoungBoy to Gunna and JID. Their track “Bodies,” built around a Drowning Pool interpolation, highlights a synergy where Offset’s precise delivery meets JID’s lyrical sharpness. Critical and fan reception has been overwhelmingly positive. KIARI is being hailed as one of Offset’s most accomplished solo efforts, bolstered by appearances from YFN Lucci and Key Glock. The energy carried over to The Tonight Show yesterday, where Offset and JID delivered a live performance of “Bodies” that drew immediate praise. One fan captured the moment succinctly: “It’s like this song was made for everybody on that stage.” Offset has paired the album with striking visuals, releasing a music video for each track and amplifying the project’s impact beyond streaming platforms. A remix of “Bodies,” produced by BNYX, adds fresh urgency to the rollout, demonstrating his determination to remain central in both the hip-hop scene and the broader cultural conversation. Artistic Success, Personal Strain Yet his professional momentum unfolds against a backdrop of personal upheaval. Offset’s divorce from Cardi B, finalized last year just before the birth of their third child, continues to draw public attention and scrutiny. On the Full Send Podcast, Offset addressed marriage and commitment with characteristic candor. “I’ve done it. Had three kids with it — It’s like a mission that’s been complete,” he said, acknowledging the toll and transformation involved. He went further, advising host Kyle Forgeard on the challenges marriage entails: “Yeah, I’d tell you don’t get married unless you’re ready for a complete life transition,” he explained, offering insight that mirrors both the intensity of his personal life and the precision of his artistry. Offset & JID perform “Bodies” with Drowning Pool on The Tonight Showpic.twitter.com/bFj7LLSJ1H — HotNewHipHop (@HotNewHipHop) September 9, 2025

In 2022, Kendrick Lamar reached a defining moment in his career, earning his first Emmy for his role in the Super Bowl LVI Halftime Show. Sharing the stage with Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, and 50 Cent, Lamar was honored in the category of Outstanding Variety Special (Live). The accolade marked a milestone for hip-hop, underscoring the genre’s growing influence within mainstream entertainment. A year later, Lamar once again made history with his performance at the Super Bowl LIX Halftime Show, drawing 133.5 million viewers. The number surpassed Michael Jackson’s 1993 record of 133.4 million, cementing Lamar’s place as a cultural force capable of commanding unprecedented attention on a global stage. During the show, Lamar delivered a dynamic medley, featuring hits such as “Humble,” “DNA,” and “Euphoria.” Among the standout moments was a powerful live rendition of “Not Like Us,” a track recently spotlighted in a lawsuit filed by Drake against Universal Music Group. Lamar’s performance blended theatricality with precision, offering fans a vivid glimpse into both his catalogue and his artistic evolution. Lamar’s Emmy Win and Chart Streak The presentation earned Lamar his second Emmy, this time for Outstanding Music Direction, an honor he shared with his musical director, Tony Russell. The performance also garnered nominations for Outstanding Choreography for Variety/Reality, Outstanding Directing in a Variety Special, and Outstanding Variety Special (Live), reflecting the careful craftsmanship behind the production. Beyond these accolades, Lamar continues to set benchmarks in contemporary music. Reports indicate he is the only rapper this year to have a song appear on the Billboard Hot 100 each week. Tracks from his latest album—including “Luther” featuring SZA, “TV Off,” “Peekaboo,” and “Not Like Us”—have driven this streak, reaffirming his reputation as one of hip-hop’s most influential and visionary voices.