Earlier this week, audio clips of Young Thug’s jail conversations began to circulate online. Most recently, new audio has leaked of Young Thug revealing that, despite public appearances, he and Future aren’t close as one would expect. According to the “Digits” rapper, the two “haven’t been tight in a minute.” Thug accuses Future of doing “lame stuff” behind the scenes and in the studio. “I pull up to the studio, chillin’ wit him, you asking me what to say on the song and how you should start off your song,” Thug says. “…Then [when] it’s girls in the room, now you actin’ like you don’t hear me tellin’ you nuthin’” “I don’t be likin’ that, n*gga I’m a playa,” Thug continued. “I don’t know what image you tryna get off to these girls, but you an idiot, n*gga.” However, Thug claims that when the “March Madness” rapper is alone, he’s “all ears. The YSL rapper also used a derogatory term in reference to Future when noting his ignorance on certain topics.”When I talk to him about God, or when I talk to him about certain things, he just don’t know nuthin’. He doesn’t know nuthin’ but music,” Thug added. Young Thug slams Future in newly leaked call, calls him an “idiot” and “r*tarded” “Me and him ain’t been tight in a minute, he do lame stuff. I don’t know what image you tryna get off but you an idiot, everything you know I done taught you […] He just don’t know nothing he… pic.twitter.com/VUuu8CKT7K — Hip Hop All Day (@HipHopAllDayy) September 6, 2025 Young Thug has come under fire this week after alleged leaked comments targeting some of hip hop’s biggest names, including J. Cole, André 3000, GloRilla, Kendrick Lamar, and Gucci Mane. The controversy comes as he navigates legal troubles and a snitching scandal, adding more heat to an already complicated situation. A clip shared on Twitter reportedly captures Young Thug criticizing J. Cole and André 3000. In the conversation, he questioned why J. Cole had not collaborated with rising artists. “YB [is] the biggest artist in the world on YouTube. Why wouldn’t J. Cole do a song with him?” he allegedly said. He went on to call out artists for avoiding collaborations, explaining, “Like, come on, bruh. You ain’t never in your life sold more records than this boy, this young na. F*ck is you thinking? Like, tripping. Na just be on that, ‘Oh, I don’t like your music. I ain’t doing no music with you.’ Man, n*ggas don’t like y’all n*ggas’ music either.

According to Cardi B, winning a Grammy is the most “prestigious award” and that “nobody can take it” from her. In 2019, the Bronx native’s debut project, Invasion of Privacy, won Best Rap Album at the 61st Annual Grammy Awards. However, in a recent interview with Billboard, while the rapper expressed her happiness about receiving one, she emphasized that her definition of success has evolved. For the mother of three, “success” isn’t about awards and praise from critics, but “putting out good music.” “Winning a Grammy, the most prestigious award, you can never take that from me. Everybody wants to downplay it, but everybody wants one. [But] times have changed,” Cardi B tells the outlet. “Success for me will be people saying, ‘She put out a great album.’ If [at] 3 a.m., people are talking about the album, that’s going to be success for me because people can’t wait to downplay it. I even want the people who don’t like me to be like, ‘Yo. That sh*t is fire.’ Yeah, eat your f*cking fruits, n*gga.” View this post on Instagram A post shared by billboard (@billboard) In another section of the interview, Cardi B described the balance between motherhood and music, a juggling act she carries largely on her own. Raising three children—Kulture, seven; Wave, four; and Blossom, who recently turned one—she has taken pride in stepping fully into the role of provider. “I do everything for my kids. I’m the only provider, and you know what? There’s no complaining about it. I love them so much, and they keep me grounded,” she said. Her approach to parenting, she added, is shaped by her own upbringing. “My mother worked incredibly hard to support us, and I want my children to understand that I made sure they had everything they wanted,” she explained. That determination has become central to her identity, reinforcing her belief that family anchors her, even when the spotlight demands otherwise.

Sexyy Red has drawn attention as much for her outspoken persona as for her music. Since late 2024, she has been unusually candid about her admiration for NBA YoungBoy, the Louisiana star who at the time was entangled in a federal fraud case. Her mix of blunt humor and disarming honesty has made her one of the more unpredictable figures in hip-hop today. That interest in YoungBoy first surfaced in November, when she logged on to X, formerly Twitter, to post a cheeky note: “Free all da fine sht [crying emojis].” The message, half-joking yet pointed, revealed more than a passing curiosity. Months later, during an Instagram Live stream from Dubai, her fascination became even more apparent when she noticed YoungBoy among her viewers. Sexyy Red Pursues YoungBoy Boldly, Igniting Social Media Buzz “YoungBoy on here y’all,” she blurted with delight, before adding, “Shake that a*s for YoungBoy,” in a bid to capture his attention. Her pursuit sharpened recently when she weighed in on speculation about his expanding family. Responding to a caption that suggested he might be expecting his 22nd child—he currently has ten children with eight women—she shot back, “I’m ready… who tf just said dat??” The remark quickly circulated, underscoring both her boldness and her willingness to make the chase part of the show. YoungBoy, however, has remained silent. He has not acknowledged her remarks publicly, instead directing his focus toward his career. His first headlining tour, built around his latest album, Make America Slime Again, began September 1 in Dallas, signaling a fresh chapter for a rapper intent on cementing his place in the industry. The lack of response has hardly slowed Sexyy Red. Her willingness to play out her crush in public has left fans debating whether it is sincere affection, a calculated bit of humor, or some combination of the two. Either way, it has become a subplot in hip-hop’s wider conversation—one that continues to amuse, and occasionally bewilder, its audience. View this post on Instagram A post shared by DJ Akademiks (@akademiks)

Young Thug is under fire after alleged leaked comments targeting some of hip hop’s biggest names, including J. Cole, André 3000, GloRilla, Kendrick Lamar, and Gucci Mane. The controversy comes as he navigates legal troubles and a snitching scandal, adding more heat to an already complicated situation. Young Thug calls out J Cole & Andre 3000 in a new leaked jail call. Compares J Cole w Youngboy NBA : “You have never in your life sold more records than this boy…Fuck is you thinking?” “…man niggas don’t like y’all music either, niggas don’t want that shit to come out..” pic.twitter.com/J4stVLi44f — GUNNA DAILY (@Gunnnaupdates) September 5, 2025 A clip shared on Twitter reportedly captures Young Thug criticizing J. Cole and André 3000. In the conversation, he questioned why J. Cole had not collaborated with rising artists. “YB the biggest artist in the world on YouTube. Why wouldn’t J. Cole do a song with him?” he allegedly said. He went on to call out artists for avoiding collaborations, explaining, “Like, come on, bruh. You ain’t never in your life sold more records than this boy, this young n***a. F**k is you thinking? Like, tripping. N***a just be on that, ‘Oh, I don’t like your music. I ain’t doing no music with you.’ Man, n****s don’t like y’all n****s’ music either. Ain’t nobody really like that st you’re talking about. N***as just want to do songs, it’s the game we in. It ain’t no Atlanta Falcons ain’t playing the Miami Dolphins because they don’t like the Dolphins. Man, we playing everybody. It’s the sport we in.” He also targeted André 3000 for not mentoring or supporting younger artists. “André 3000, you’re one of the biggest artists in the world. You became one of the biggest artists in the world. But you ain’t help nobody. You ain’t put nobody on. Now you vintage. Now you goddamn can’t put out a song and go top 50. You see what I’m saying? You put a song out right now, you can’t even go top 50. But you were the biggest artist in the entire world at one point. But you ain’t put nobody on, though. You ain’t did nothing. Ain’t no na saying they got a career off of you. Like, y’all n****s ain’t help nobody. All that cap rap s**t, that rap s**t don’t mean nothing. In 10, 15 years, that s**t don’t mean nothing.” Thug has also been criticized for mocking GloRilla, prompting her response on social media. He later apologized on Twitter, but fans are still waiting to see if he will address the larger controversy surrounding these alleged comments.

Latto and Ice Spice have closed the door on more than a year of discord, returning as collaborators with a new track that reframes their relationship. The reconciliation stands out in a genre often defined by rivalries, signaling a shift from friction to partnership. For much of the past year, speculation surrounded the two rappers as fans dissected their lyrics and social media posts for signs of animosity. The back-and-forth seemed to cement them as competitors. That perception began to unravel in early September when they appeared together at Kai Cenat’s Mafiathon 3, presenting themselves not as adversaries but as allies. Cenat welcomed the pair into his home, where they unveiled “GYATT,” their joint single released September 2. The performance quickly became the centerpiece of the stream, punctuated by an impromptu twerk session that spread across social media. Cenat, who has been publicly linked to TikToker Gabrielle Alayah since late 2024, kept the spotlight firmly on the music, giving their reunion room to resonate. Reactions Online The livestream drew widespread attention, with comments amplifying the moment’s cultural weight. In DJ Akademiks’ feed, one user joked, “We gotta get rich brothers,” while another praised the show, writing, “Latto’s moves were on point.” Many welcomed the reconciliation outright, including one viewer who called it, “the best squashing beef ever.” The response captured a sense of relief that two of hip-hop’s rising stars had chosen to bury the tension. Their rift stretches back to 2023, when pointed lines in their music began fueling speculation. Ice Spice’s “Think U The Sh*t” and Latto’s verse on Offset’s “Fine As Can Be” both contained lyrics that listeners interpreted as thinly veiled shots, pushing the idea of rivalry into the spotlight. By 2024, the feud had become a constant backdrop to their careers. Now, Latto and Ice Spice appear intent on leaving the conflict behind. Their reunion not only reflects personal growth but also highlights the potential for collaboration in an industry often consumed by competition. Fans, meanwhile, are waiting to see how this new alliance translates into future music and performances.

Cardi B is on the cusp of releasing her long-awaited second album, and the moment carries unusual weight. Two weeks removed from a victory in a civil assault case, the Bronx-born rapper is reemerging in the public eye, navigating the intersection of personal upheaval and professional momentum. Offset, her estranged husband, has said he hopes to “move on in peace,” but Cardi shows little sign of slowing down. Speaking with Billboard, she described the balance between motherhood and music, a juggling act she carries largely on her own. Raising three children—Kulture, seven; Wave, four; and Blossom, who recently turned one—she has taken pride in stepping fully into the role of provider. “I do everything for my kids. I’m the only provider, and you know what? There’s no complaining about it. I love them so much, and they keep me grounded,” she said. Her approach to parenting, she added, is shaped by her own upbringing. “My mother worked incredibly hard to support us, and I want my children to understand that I made sure they had everything they wanted,” she explained. That determination has become central to her identity, reinforcing her belief that family anchors her, even when the spotlight demands otherwise. A New Chapter with AM I THE DRAMA? In July 2024, Cardi filed for divorce from Offset for the second time, a rupture that has unfolded in full view of her audience. The separation has played out across social media, while reports link her to NFL wide receiver Stefon Diggs—an evolution that may influence her creative work. Her new album, AM I THE DRAMA?, arrives September 19. It features the singles “Outside” and “Imaginary Playerz,” alongside chart staples like “Up” and “WAP.” Seven years in the making, the project reflects a period marked by both family milestones and legal battles. Still, she insists on precision. “I always knew I would release a second album; I just didn’t have a project that was well organized,” she said. “I’m very selective about my music and need to make sure everything fits perfectly before I put it out.” View this post on Instagram A post shared by billboard (@billboard)

Kanye West is once again navigating legal challenges. This time, attention is focused on his 2022 project, Donda 2, which has drawn scrutiny from copyright holders over the use of a particular track. Billboard reports that West is facing a federal copyright infringement lawsuit for allegedly sampling soul singer Sam Dees’ 1975 song “Just Out Of My Reach” without permission. Filed September 4 by The GRC Trust on behalf of Ginn Music Group, an Atlanta-based publisher that controls Dees’ catalog, the suit centers on West’s collaboration with Vory, titled “LORD LIFT ME UP.” A comparison of the two songs reveals a marked similarity, especially in the opening seconds of Dees’ original, which West reportedly loops throughout the 2-minute, 10-second track. The suit names not only West and Vory—whose full name is Tavoris Javon Hollins—but also Yeezy LLC, highlighting the business entities tied to the release. Implications for Collaborators The lawsuit further implicates Kano Computing and its founder, Alex Klein, responsible for developing the Stem Player, the exclusive platform for streaming Donda 2. The filing asserts, “At no point did defendants obtain authorization from GRC to use the composition in connection with the infringing work. Defendants continue to exploit and receive profits from the infringing work, thereby violating GRC’s rights in this composition.” The GRC Trust is seeking both a court injunction and monetary restitution, demanding “all profits of defendants… plus all losses of GRC, plus any other monetary advantage gained by the defendants through their infringement.” The case underscores the increasing legal scrutiny artists face when sampling classic material, especially within projects distributed on unconventional platforms. The dispute coincides with anticipation surrounding West’s upcoming documentary, In Whose Name?, set to debut in select theaters. Developed over more than a year, the film examines pivotal moments in West’s life from 2018 to 2024, including his divorce from Kim Kardashian and his controversial remarks regarding antisemitism, offering an intimate look at the intersection of his personal struggles and artistic ambitions.

Hip-hop is no stranger to controversy, and its latest flashpoint centers on GloRilla and Young Thug. In recent weeks, leaked jail call recordings surfaced online, allegedly capturing the Atlanta rapper disparaging fellow artists. Among the remarks, he reportedly singled out GloRilla, describing her looks in unflattering terms—a jab that swiftly drew her into the broader storm surrounding his ongoing legal battles. For GloRilla, the attention arrived without warning. She had been in the headlines for her relationship with NBA forward Brandon Ingram, yet the leaked audio shifted the focus sharply. The clips also revived long-running allegations of snitching against Young Thug, raising new questions about his standing in both the courtroom and the culture. GloRilla, rather than sidestepping the moment, responded with a sharp retort on Twitter: “Mind you dis da same n***a blowing my phone up to ask what color my eyes is lmaooo.” The post ricocheted across social platforms, with fans dissecting both her wit and the complicated undercurrents between two prominent figures in rap. Young Thug Apologizes After Leaked Audio Not long after, Young Thug offered an apology that caught many off guard. “@GloTheofficial first of all I’m sorry to u for my words and I honestly don’t think ur ugly at all, I was speaking from jail just having a hard time with life.. I don’t like bashing girls and hardly ever did.. I’m sorry to u twin.” His message — equal parts contrition and explanation — revealed an unusually vulnerable side of an artist who rarely concedes ground in public. It was the second time in recent weeks he had addressed leaked audio directly. Earlier, he pushed back against chatter linked to his disputes with OTF and Lil Durk, while other instances of interrogation footage had drawn more evasive replies. The exchange with GloRilla, however, carried a sharper personal edge, underscoring both his volatility and his instinct to manage a narrative that seems to shift by the day. For now, the dust has settled. Still, with additional recordings reportedly in circulation, the open question remains: will Young Thug continue to confront them one by one, or will he let the noise dissipate as he turns his focus back to the music?

In hip-hop’s shifting landscape, Jay-Z still stands as one of its most enduring figures. His last solo album, 4:44, was released in 2017 to critical acclaim, but new remarks from producer Cash Cobain have stirred speculation that fresh music from the Brooklyn rapper may be on the horizon. Appearing on Billboard Unfiltered Live, Cobain suggested Jay-Z has new material in the works—music, he said, that could “shake the world.” Cobain did not hold back in praising Jay-Z’s stature in New York rap, calling him the undisputed king. “The king of New York is Jay-Z. It’s Jay-Z. Multi-platinum albums and president of Def Jam. He’s like the richest rapper, right? What didn’t he do?” he said. He added, “I heard Jay-Z is about to drop some sh*t that’s gonna shake the world. That’s what I heard.” His comments have only intensified speculation that a comeback may be underway. Hints of new music have already ignited a wave of reactions online. On X, formerly Twitter, fans voiced both humor and anticipation. “If Jay Z get on a cash beat ima really be weak but ima def need front row seats too,” one user wrote. Another suggested the resurgence of creativity in the genre—highlighted by the Clipse’s recent Let God Sort Em Out—could be pushing Jay-Z back to the studio. “THIS BETTER BE TRUE,” one fan declared, capturing the broader sense of expectation. 4:44 marked reflection—his next move could reshape rap Jay-Z’s most recent solo release, 4:44, entered the Billboard 200 at No. 1 with 262,000 album-equivalent units and was nominated for Album of the Year at the Grammys. Beyond its commercial impact, the record was celebrated for its candor, with songs like “The Story of OJ” marking one of Jay-Z’s most introspective turns. The Billboard segment also featured Zeddy Will, who named Nicki Minaj as New York’s reigning queen. “Her fanbase is still crazy to this day, and she got all the hit records. The numbers don’t lie,” he said, pointing to her back-to-back sold-out shows at Madison Square Garden. For Jay-Z, expectation is nothing new. If Cobain’s prediction proves true, his return would not only mark a new release but also add another chapter to a career that has long shaped hip-hop’s narrative. “I heard Jay-Z is about to drop some shit thats gonna shake the world that’s what I heard” -Cash Cobain pic.twitter.com/71y4Fcb1FS — Ahmed/The Ears/IG: BigBizTheGod (@big_business_) September 4, 2025

Sean “Diddy” Combs is facing one of the most consequential chapters of his career after being convicted on two counts tied to transporting individuals for prostitution. With sentencing set for next month, the hip-hop mogul is mounting an aggressive appeal, pressing for either a new trial or an outright acquittal. In filings reported by TMZ, Diddy’s attorneys argue that the prosecution’s case leans on an antiquated reading of the Mann Act, first passed in 1910. They contend that the term “prostitute” then referred specifically to women engaged in sex outside of marriage, a definition far narrower than what courts apply today. By revisiting the law’s origins, the defense hopes to chip away at the foundation of the jury’s decision. The team has also challenged prosecutors’ claims about the nature of Diddy’s financial ties to the men central to the case. He maintains that any payments were for time and companionship, not sexual services. It is an argument aimed squarely at the heart of the allegations and one that could carry weight as his lawyers push for leniency. Diddy’s Verdict Sparks Debate Over Power, Consent, and Celebrity Prosecutors have shown no sign of retreat. They describe the evidence as “overwhelming” and accuse Diddy of wielding money and status to manipulate those around him. Court filings portray him as leveraging threats against careers and livelihoods to ensure compliance, framing his conduct as coercive rather than consensual. The verdict itself offered a measure of contrast. While jurors convicted Diddy on transportation charges, they cleared him of more serious counts, including sex trafficking and racketeering. Still, the exposure is significant: he could face as much as 20 years in prison, though prosecutors have indicated they will recommend closer to four. His next court appearance is scheduled for October 3. The case has quickly become a flashpoint for larger debates about consent, legality, and power in relationships that cross personal and professional lines. For Diddy, the ruling carries both legal peril and cultural weight, with the potential to influence how future cases at the intersection of celebrity and the law are judged.